It’s been heads-down creating the design and layouts for the
book that will be printed in a limited edition. 68 pages that have to work as
individual pages, double page spreads and of course as a whole – but then I
guess that’s what a book is. The text titled working the fold written by
Victoria Mitchell for the book is most excellent – picking up and continuing the
theme of connections between making and the object. The whole book is now
finished and I am about to press the button to print. Meanwhile all the display
panels for the exhibitions are in the process of being designed and hopefully
will be printed at the end of the week.
Some texts from the book –
Every object in each collection I'm looking at has many
stories; each one delivers the viewer new contexts and presents new possible
functions. Functionality of an object is something that is constructed in the
mind through collective use and understanding. As the functionality of an
object can change in the mind, changing our perception of and relationship to
the object. Does this in some way physically change the object?
This connects to ideas around transubstantiation, the act of partaking in consuming the body and blood of Christ through eating a wafer and drinking wine.
This connects to ideas around transubstantiation, the act of partaking in consuming the body and blood of Christ through eating a wafer and drinking wine.
The objects have a palimpsest quality; the record of their
history reappears on the surface like the traces of old texts to be 'read', a
memory of use, cumulative palimpsests. And the objects themselves leave their
own mark much like the impressions left by the jewellery of Monika Brugger or
the work undertaken by Richard Wentworth for Homebase.
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